Dustin Yellin’s Psychogeography series features life-sized humanoid figures created by layering thousands of cut-up books, magazines, and found materials between glass sheets, resembling “3,000-pound human microscope slides.” This work explores the interconnectedness of humans, nature, and technology. From 2013 to 2016, I documented this series, capturing its intricate details through photography and meticulous recording, ensuring the preservation and accessibility of Yellin’s complex, symbolic art.